Flora Incognita
David Elia, Marius Margot, Vivianne van Singer, Heberth Sobral and Vasilis Zografos
Vernissage September 17, from 6PM
Exhibition until October 24, 2026

Born in Rio de Janeiro and based in Geneva, Leticia Maciel has developed a curatorial practice shaped by movement between cultures. Since founding Espace_L in 2011, she has cultivated a space for artistic exchange between Brazil and Europe, bringing together contemporary practices from different cultural contexts. Over the past fifteen years, the gallery has become a place where diverse artistic voices meet, challenge one another, and generate new forms of dialogue.
The title Flora Incognita evokes the unknown or yet-to-be-classified plant world. Here, it becomes a metaphor for artistic practices that resist fixed categories and invite new ways of seeing. The exhibition embraces the idea of the Wild Garden as a space where diversity grows freely, without rigid order or predetermined hierarchies, and it reflects Leticia Maciel’s curatorial vision and the philosophy that has shaped Espace_L since its foundation. Like such a garden, it develops through proximity rather than taxonomy. Diversity is not illustrated; it is cultivated.
Ceramics forms a central thread within the exhibition. In the works of Heberth Sobral, Vasilis Zografos and David Elia, clay becomes a material of memory and transformation. Shaped by earth and fire, it echoes the exhibition’s reflection on encounter, migration and continual reinvention. Alongside his ceramic works, Elia’s cyanotypes investigate botanical archives and historical systems of classification, while Vivianne van Singer explores the transformative qualities of colour and perception, and Marius Margot imagines speculative vegetal ecologies where nature and fiction converge, resonating with the exhibition’s idea of Flora Incognita, a vegetal world that remains open, mutable and continually reinvented through fiction.
Archive
- Transe (July 2026)
- Surfaces (Mai 2026)
- Carte Blanche: Works on Paper (Mar 2026)
- Glazed Realities (Jan 2026)
- Crossroads (November 2025)
- Chain Reaction – Crystal Path #4 (September 2025)
- Abstraktionen / Abstrações (July 2025)
- Times Parallax (May 2025)
- Patchwork (Mar 2025)
- Convergences (Jan 2025)
- Décors, des corps (Nov 2024)
- Géométrie sacrée (Sept 2024)
- Who’s Next? (Jul 2024)
- Réalités fragmentées (May 2024)
- Les objets magiques de Lyz (Mar 2024)
- The Untold Story (Jan 2024)
- Peindre, manger, dormir (Nov 2023)
- L’Effet Ferdinand (Sep 2023)
- Summer Pop (Jul23)
- Géométrie du Sud (May 2023)
- Parallèles (Mar 2023)
- Seuils (Jan 2023)
- Fahrenheit 451 (Nov 2022)
- Brasilitude (Sep 2022)
- Pépites (May 2022)
- Digital Vibrations (Mar 2022)
- Fragments (Jan 2022)
- Le Chef D’Œuvre (Nov 2021)
- Living-Room (Sep 2021)
- Summer Show 2021
- Porno Chic (May 2021)
- Monde Végétal (Mar 2021)
- GVA_RIO (Jan 2021)
- À Table (Nov 2020)
- Affinités Sélectives (Sep 2020)
- Intérieurs (May 2020)
- Illuminations (Jan 2020)
- Museum Forms (Nov 2019)
- Rouge (Sep 2019)
- Accrochage D’Été 2019
- Galaxie (May 2019)
- Ephémères (Mar 2019)
- Compositions (Jan 2019)
- Les membres de ma famille (Nov 2018)
- Nature Power (Sep 2018)
- Amigxx (May 2018)
- La vie des objets (Mar 2018)
- L’Herbe Folle (Jan 2018)
- Alentours (Nov 2017)
- Bleu, Bleu, Azul (Sep 2017)
- Phryctoria (May 2017)
- Entre-Corps (Mar 2017)
- Éléments (Jan 2017)
- Couleurs d’Amazonie (Nov 2016)
- Couleur Matière (Sep 2016)
- RVB (May 2016)
- La Couleur de la Peau (Mar 2016)
- Rio Naïf et les Jeux Olympiques (Jan 2016)
- Elles (Nov 2015)
- Huile sur Toile (Sep 2015)
- Réflexions/ Projections/ Objections (May 2015)
- Maîtrise de l’extrême (Mar 2015)
- Melting Pot (Sep 2014)
- Pointillisme Brésilien (May 2014)
- Nouveau départ 4’33” (Mar 2014)
- Terra (Nov 2014)
- Le sacré et le profane (Nov 2013)
- Jeux de couleurs (Sep 2013)
- Bazar (May 2013)
- Maison brésilienne (Mar 2013)
- Onde_Séries photographiques (Nov 2012)
- Latentes (Sep 2012)
- Marquages (May 2012)
- Urbana_Brazilian Street Art (Mar 2012)
